浅论“跨界”唱法

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翻新时间：2013-12-17

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浅论“跨界”唱法

毕业论文

摘要

在声乐界，1些作曲家、歌唱家在创作与实践中进行了大胆的探索与创新，客观上打破了“唱法”的藩篱，突破了分界线。真正好的作品、优秀的演唱，自然会受到人民群众的喜爱，而不必为自己设置诸如“哪种唱法选择哪首作品”的藩篱。“跨界”唱法的新说法也正代表当今多种演唱方法的融合与歌唱的未来发展方向，这说明长久以来的几种唱法之间的界限正日益模糊。

关键词：跨界唱法；美声唱法；民族唱法；通俗唱法；融合

ABSTRACT

Along with person livelihood of the people running water gentle cultural level enhancement, ideology and moral sentiment change, peoples music appreciation level has not merely satisfied the sole appreciation orientation, but changes Yuan, the opening, the omni-directional appreciation orientation many. In the vocal music, had more composers, the singer has carried on the bold exploration and the innovation in the creation and the practice, on was objective has broken "sang the law" the bamboo fence, broke through the separatrix. The really just right work, outstanding singer, naturally can receive peoples affection, but doesnt need to establish such as "which kind as oneself which first work sings the law to choose" the bamboo fence. But "the straddling of zones" which appears as a result of this kind of phenomenon the singing method new view also representative now many kinds of sings the method the fusion, this since explained long-time several kinds have sung between the law boundary to be day by day fuzzy.

Keywords: The straddling of zones sings the law；The beautiful sound sings the law；

The nationality sings the law ；Popularly sings the law； Fusion

引言

歌唱是最直接的1种情感表达方式，歌唱是无处不在、无时不有的。据查在我国810年时，在上海进行了1次分唱法的比赛以后，中央台的全国青年歌手大赛就开始把歌唱方法分为3大类：美声唱法、民族唱法、通俗唱法。美声唱法则是从西方引进过来的，它于17世纪产生于意大利，以声色优美、发声自如、音与音的连接平滑匀净、花腔装饰乐句流利灵活为特点，这种演唱风格在此后的意大利及全世界的音乐体系中，获得了大力的发展，运用至今；民族唱法属于我们本土的音乐，它自然朴实、奔放嘹亮、旋律流畅，是我们丰富的音乐文化遗产；通俗唱法可以说是中西结合的1种演唱方法，通俗易懂、时代性强、为大多数人所接受。