浅论古筝演奏艺术中的意境营造

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翻新时间：2023-04-17

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浅论古筝演奏艺术中的意境营造

毕业论文

摘要

古筝，在中国历史上已有2千5百余年了，在这漫长的历史长河中，筝文化已广泛流传于神州大地，古老的筝乐在与各地的风土、语言、自然、习俗及其他民间音乐艺术合2为1的过程中，地域性文化特色已悄然而生并日渐浓厚，最终形成了中华筝乐风格多样、相互争奇斗妍的可喜局面。古筝有着丰富的艺术表现力，而种种艺术表现都是依靠各种基本技法及其组合运用来完成的。

每个流派也都有其不同的艺术表现力，而这种表现力最终决定了古筝演奏中的不同曲风和特殊意境。如何通过古筝流派的特色表现来营造意境，就是本论文论述的关键。

意境是个非常抽象的概念，本论文通过对《出水莲》、《战台风》两首筝曲的特色表现进行分析，阐述了不同特色表现所营造的不同音乐意境。并对如何营造意境和意境营造的重要性进行了说明和分析。

关键词：古筝演奏；意境；营造；特色表现

ABSTRACT

Zheng owns a history of over two thousamd five hundred years in China. During such long period, the culture of Zheng has widely spreaded over China.In the process of the combination of the ancient Zheng music and every local conditions, language, nature, social convention and other folk music, the cultural features of regionalism have come into being quietly and become stronger day by day, until finally opened up an encouraging prospect that Chinese Zheng music is diversified in style and competes with each other. Zheng music is diversified in style and competes with each other. Zheng has rich artistic expression, and each artistic expression is completed by various basic techniques and their combination and application. Every school has its different artistic expression, which eventually various styles of music and distinctive artistic conception within the performance of Zheng. The key of this thesis is to create artistic conception with the characteristics of Zheng school. Artistic conception is a very abstract definition. This thesis analyses the special performance of “fight against Hurricance”and “lotus out of mud ”, then describes that different features create different artistic conception, and in the end discusses how to create the artistic conception and its importance.

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