从中国钢琴曲的创作谈音乐的民族性

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翻新时间：2022-10-01

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从中国钢琴曲的创作谈音乐的民族性

毕业论文

摘要

本文谈到了中国钢琴曲民族性创作和发展的阶段，以及中国钢琴曲民族性创作的多元化；并对210世纪中国钢琴音乐民族化的趋势进行分析：中国钢琴曲应走中国化、民族化道路。正如1934年《牧童短笛》的出现，则标志着中国钢琴艺术创作从早期的探索阶段进入到真正的艺术创作阶段。

中国钢琴艺术创作历经近百年的挫折与繁荣，取得较大成就，形成具有多种风格、多种体裁的钢琴曲库，包括改编作品、原创作品，大型协奏性作品等。中国钢琴的民族化进程中许多民族乐器的音色和技巧被引入钢琴曲的创作，这些演奏技术直接反映出中国的钢琴音乐创作对于本民族传统乐器和乐曲的模仿和借鉴。

新的时期更多现代技法和新技法的运用，又给中国钢琴创作提供了更广阔的空间和前景。

关键词：音乐；民族性；中国钢琴；创作

ABSTRACT

This article talked about the Chinese steel qin tune national characteristic creation and the development stage, As well as Chinese steel qin tune national characteristic creation multiplication; And carries on the analysis to the 20th century China piano music nationalitys tendency: The Chinese steel qin tune should walk the Chinese, the nationality path. Just like in 1934 "Shepherd boy Piccolo" appearance, Then symbolized the Chinese piano art creation enters from the early exploration stage to the true artistic creation stage. The Chinese piano art creation has been through repeatedly the near hundred year setbacks and the prosperity, Obtains the great achievement, Obtains the great achievement, Forms has many kinds of styles, many kinds of literature style steel qin tune storehouse, Including reorganization work, original work, The large-scale association plays the work and so on. In the Chinese piano nationality advancement many national musical instrument timbre and the skill are introduced the steel qin tune the creation, These performance technology directly reflects Chinas piano music creation regarding this national tradition musical instrument and the music imitation and the model. New time more modern technique and new technique utilization, Also gave China the piano creation to provide a broader space and the prospect.

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